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"Valuable new version of Biografía de un cimarrón includes Hill's expert translation; brief but informative preface about Esteban Montejo (the book's first-person narrator); Barnet's afterword (which replaces, albeit partially, his original introduction), in which he explains his understanding of literatura testimonal; and a glossary of terms. Original work was first translated as Autobiography of a runaway slave by Jocasta Innes (1968)"--Handbook of Latin American Studies, v. 58

The autobiography of Olaudah Equiano, a prominent African in late 18th-century Britain, is quoted, anthologized and interpreted in dozens of books and articles. More than any single contemporary, Equiano speaks for the fate of millions of Africans in the era of the transatlantic slave trade. This study attempts to create a rounded portrait of the man behind the literary image, and to study Equiano in the context of Atlantic slavery

Author's note -- Introduction -- Part I: Minty's story -- The alpha journey -- First generation American -- Lies but not misdemeanors -- Dear mama -- We are family -- Caretaker -- Flesh for rent -- Head trauma -- Innervisions -- The ultimate loss -- Say her name -- Hove and marriage -- The auction block -- She's out -- Part II: She ain't sorry -- The conductor -- Betrayal -- Expats -- Who your gonna call? -- She came to slay -- Fearless -- Antislavery agitator -- Homeowner -- The general -- One last time -- My people are free -- Part III: Bawss lady -- War zone -- Sick and tired -- Black Moses -- To die with valor -- Furlough -- Part IV: Call me Mrs. Davis -- A war hero -- Northern realities -- The kindness of strangers -- Tall, dark, and handsome -- Telling her story -- A wife and mother -- Hard times -- The ballot box -- Mother Tubman -- Getting paid -- Servant of God

As If She Were Free brings together the biographies of twenty-four women of African descent to reveal how enslaved and recently freed women sought, imagined, and found freedom from the sixteenth through the nineteenth centuries in the Americas. Our biographical approach allows readers to view large social processes - migration, trade, enslavement, emancipation - through the perspective of individual women moving across the boundaries of slavery and freedom. For some women, freedom meant liberation and legal protection from slavery, while others focused on gaining economic, personal, political, and social rights. Rather than simply defining emancipation as a legal status that was conferred by those in authority and framing women as passive recipients of freedom, these life stories demonstrate that women were agents of emancipation, claiming free status in the courts, fighting for liberty, and defining and experiencing freedom in a surprising and inspiring range of ways.

In this short work of 1860, William Craft (c.18251900), assisted by his wife Ellen (c.182591), recounts the remarkable story of how they escaped from slavery in America. Having married as slaves in Georgia, yet unwilling to raise a family in servitude, the couple came up with a plan to disguise the light-skinned Ellen as a man, with William acting as her slave, and to travel to the north in late 1848. This compelling narrative traces their successful journey to Philadelphia and their subsequent move to Boston, where they became involved in abolitionist activities. Later, the couple sought greater safety in England, where they lived for a number of years and had five children. A success upon its first appearance, the book touches on the themes of race, gender and class in mid-nineteenth-century America, offering modern readers a first-hand account of how barriers to freedom could be overcome

Between 1760 and 1902, more than 200 book-length autobiographies of ex-slaves were published; together they form the basis for all subsequent African American literature. I Was Born a Slave collects the 20 most significant "slave narratives." They describe whippings, torture, starvation, resistance, and hairbreadth escapes; slave auctions, kidnappings, and murders; sexual abuse, religious confusion, the struggle of learning to read and write; and the triumphs and difficulties of life as free men and women. Many of the narratives-such as those of Frederick Douglass and Harriet Jacobs-have achie

Edited and with Notes by Shelly EversleyIntroduction by Robert Reid-PharrIn this truly astonishing eighteenth-century memoir, Olaudah Equiano recounts his remarkable life story, which begins when he is kidnapped in Africa as a boy and sold into slavery and culminates when he has achieved renown as a British antislavery advocate. The narrative "is a strikingly beautiful monument to the startling combination of skill, cunning, and plain good luck that allowed him to win his freedom, write his story, and gain international prominence," writes Robert Reid-Pharr in his Introduction. "He alerts us to the very concerns that trouble modern intellectuals, black, white, and otherwise, on both sides of the Atlantic."The text of this Modern Library Paperback Classic is set from the definitive ninth edition of 1794, reflecting the author's final changes to his masterwork.From the Trade Paperback edition.